So I’ve been playing this Yildirim Palabiyik Oud for a couple weeks now, but I made a video of what it sounds like basically after getting it in tune the same day after unboxing.
My first reaction to this Oud was that the sound was incredibly balanced from high string to low string. It gives a clear, crisp, yet mellow sound.
The strings are still new and I’m breaking them in so the sound should mellow out more with time.
The playability is incredible. It’s really very effortless. I feel as though the instrument doesn’t limit my own abilities, rather it’s a true conduit that allows you to express yourself through the Oud.
Here is another video where the recording quality is a little better. However, I did clip the mix a bit.
Oud construction details:
Soundboard: Cedar
Bowl: Wenge
Fingerboard and pegs: ebony
String length: 58.5 cm
Rosettes: mother of pearl
String brand: Kürschner
Best Oud I’ve Played in 16 Years
Although I’ve played Oud for 16 years, and I’ve owned several Ouds since that time, this is the nicest I’ve owned and played.
I’m not like some people who have bought and sold so many Ouds. I have held and played about only 20 Ouds in my time. That’s not very many. But I’ve held and played some made by reputable builders, and so far this is the nicest one. This is also the most expensive.
Now I can finally imagine what it’s like to hold and play an Oud like one made by Faruk Turunz which can cost up to $10,000.
My First Turkish-made Oud
This is also the first Turkish-made Oud I’ve owned. I’ve gained another level of respect for Turkish luthiers. Previously, I never even considered buying a Turkish-made Oud because I didn’t think I would like the sound. It wasn’t until I saw some Arab players using Turkish-made Ouds that I started to consider them.
More to come about this Oud. Sign up to get updates.
